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project description "Beauty" is a poetic documentary project developed by Veronica Suanno, Nilda Mercedes Rosemberg and Resch, in Cura Malal. Aims to generate a reflection from the encounter with the reality of some residents of a small town in southern Buenos Aires province.
The meeting consists of a series of visits, approaches the universe of each of these people in their context.
audiovisual records that serve as documents, listening and memory of the encounter, stories-and the translation into a visual language with its own resources are the tools we use to create and give value to a sort of living archive. File resulting from the experience of combining the poetic documentary, fundamental understanding of the importance of landscape as a product of the culture of the people and to cause the specifics that make the beauty of the place. Finding what your daily chores, how to solve a particular problem, what dialogue established between their present and past.
We are documenting our own experience of the visit, group work, experience working with experience.

beauty project link

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Beauty Project Jennifer Allora, 1974 (USA) and Guillermo Calzadilla, 1971 (Cuba)

"We intend to expand the practice of appropriation to the things of the world, to the streets vacant lots, fields, the environment, things that would not be transportable, but that would invite the public to participate. This would be a fatal blow to the concept of the museum, art gallery, etc.., While the concept of "exposure." Either we change it, or remain as we are. The museum is the world of everyday experience. "

Jennifer Allora and Guillermo Calzadilla have been working together since 1995, often deepening the space between sculpture, performance, architecture, and social or public intervention. In his work trying to provide ways to reflect the complex intersection of politics global and personal identity. Often interactive work using the little used (the secret desires positions on the roofs of a building to be seen by passengers on a plane), the unexpected (a board game of tennis video painted on the floor of a court real tennis), and the check (the blinds of the office window showing different realities seeing them open and closed according to the movement of pedestrians outside, thus redirecting observation).

Through the work infused with a rich democratic impulse, seek public expression. For the project CHALK, Artists put huge chunks of chalk in public spaces such as squares and invite people to leave their marks, ranging from political protests to spontaneous drawings, each moving and transient expression of a specific time, place, and individual within a collective field.

"CHALK (Lima)" 1998 -2002 12 chalk 64 x 8 inches in diameter each. Installation: Pasaje Santa Rosa, Biennial of Lima, Peru.

"We were interested in the fact that the chalk is a tool, something that is in the classroom. It is also a geological substance, found naturally in soil. By its nature, is ephemeral and fragile. It is a beautiful white cloud, low and very clean but, paradoxically, may also have a dirty connotation because it is used to mark a surface. This was interesting, how this material could be symbolic, iconic, and nothing in itself. He was trying to think about reconciling a minimalist or made of this material and make it available to the public to see what could unfold. "

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JR France

JR worked for a month in Brazil, in the Providencia slum in Rio de Janeiro.
This setting he favored a meeting with women for whom crime, violent loss of a neighbor and the arbitrary enforcement authorities as part of their daily lives.
El Morro da Providencia is the oldest and most dangerous slum in Rio. He was recently the scene of the death of three innocent young teens because of the war opposing the corrupt local authorities (police, navy) and the drug traffickers who harbors. When photographing women
backgrounds and different generations, are particularly interested in its history and to delimit their way of life in the context of a latent conflict. Each portrait is evidence of the expression of the life of these women.

All portraits printed in huge formats are installed with the help of the community on the walls of the favela, which gives JR a face that suddenly unites hill and asphalt.
The implementation of this action completely independent of any external financing and / or institutional sponsorship was made possible by the confidence of local photographer Mauricio Hora, born and raised on Providence and Rosiete Marinho, another emblematic of the places and community.

JR is 25 and owns the largest art gallery in the world. Exhibits

freely in the streets, calling the attention of people who are not regular visitors to the museums. His work mixes art and action, speaking of commitment, freedom, identity and limit. It calls itself the "artivista" concentrate, artist and activist.

ago dpi photographs of people. Use the black and white to make a difference with color advertising aggression.

ago in 2005 "Portrait of a Generation" , portraits of young people in huge formats, which are installed in the old neighborhoods of Paris (Portrait of a generation, ED. Alternativas).

In March 2007, performed with Marco Face2Face project, the largest illegal EXPOFOTOGRAFÍA the world: eight Palestinian and Israeli cities and the security barrier / wall separating the two territories. There are mounted huge portraits of Palestinians and Israelis face to face. Through this project, JR showed that art could push back the limits of possibility.

The photographer does not give interpretations and leaves a space for an encounter between a subject / protagonist and a guide / interpreter. Surprise and JR raises the question, everyone can review their practice of thought and free of stereotypes and prejudices. JR is about why it works: ask questions.

The 3 rd stage of the project 28 mm, "Area Women Heroes", went to Africa in conflict areas to photograph his women, you want to share painful stories and to test their desire to live. His portraits were installed in Sierra Leone and Liberia. In 2008-2009, JR will develop this project in India and Asia.

can see more of the following link JR http://www.jr-art.net/

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Step Group.

In Step is a group of Latin American contemporary art, which is growing in Argentina in the city of Rosario in 1999. On March 24, 2000, the anniversary of the coup carried out in Argentina in 1976, we shape the first draft, decongestants. We urban intervention in a corner against a former clandestine center of detention and torture of the last military dictatorship, now become a luxury bar.

This first define the profile of the group mobilized by the need to remember, to occupy our spaces, build new places, pick up the meanings of each of our sites ... The city offers emblems: gray buildings full of history, empty houses, dismantled, usurped its inhabitants, abandoned factories, small and large businesses closed, cinemas converted into houses of worship, railway stations transformed into cultural centers. We talk of the town built on the edge of stairs of a cathedral or the edge of the parking lot of a supermarket.

Cities are inhabited by a collective memory that is in bid to urban forms. The urban environment is the result of a constant dynamic, which is crossed by numerous speeches, develop as a cultural fact multidimensional and multifaceted.

Our contemporary issues revolves around the cities. Work place and public space crack, trying to recover, new meaning, making it part of the work and using the city as subject.

The material that gives shape to our proposal is the ice, the emblematic who accompanied us successive interventions that we perform. Chosen to build the poetics of the work, the ice account the fleeting, the unattainable, the mutable. Our proposal in the urban environment is like this, in this sense: the ever-changing, passing from one state to another, until it finally disappears.

Group In Step
in the fucking street again
March 24, 2001.

By Juan Carlos Romero

The Whore Street is the place where we all live in a fair kind of inequalities is the mirror which reflects the unemployed against the obscene wealth of the owners of money, corruption and politics. It is also the site of the manger or leaving a clean windshield, which sell everything from a weight or those who put their lives on a motorcycle to take the "delivery" with the pizzas.

the street is cold, dark and cruel also welcomes us to claim, arguing, screaming and fighting for memory.

walk is where the missing, the dead and all those others like we dreamed it could confront those who have the power to erase the inequalities that could be possible that true justice.

Again this street whore bent on finding a its and not possible.

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Rosario.Argentina GAC \u200b\u200bGrupo de Arte Callejero

"For the last 5 years than in the GAC work from the need to create a space where art and politics are part of the same production mechanism.
is why when it comes to defining our work, we blur the limits between the concepts of activism and art, and acquire a higher value used mechanisms for reporting and real confrontation opportunities that are given within a context.
From the beginning we decided to find a space to communicate visually to escape the traditional exhibition circuit, taking as a misappropriation of public spaces.
Our work methodology is aimed primarily at undermining the mensajes institucionales vigentes (por ejemplo: el código vial, el cartel publicitario, la estética del espectáculo televisivo, etc) y abarca desde la intervención gráfica hasta la acción performática; teniendo en cuenta que los códigos no funcionan de igual manera en cada lugar, ya que cada población posee características culturales propias. Nuestra producción busca infiltrarse en el lenguaje del sistema y provocar desde allí pequeños quiebres, fallas, alteraciones, para desenmascarar o hacer evidentes los juegos de relación del poder, a través de la denuncia.
Generalmente nuestra obra es vista por el espectador casual que se encuentra transitando ese espacio de la ciudad, por lo cual This production is aimed at enabling the reading of the work but without giving up some of the complexity inherent in the symbolic language.
rarely includes the signature in the productions. Most of our work has an anonymous, which emphasizes the ambiguity of its origin, as these could have been deviations from the same system (misrepresentation). Sometimes tends to attribute the authorship of them to other groups, without constituting an inconvenience is more, we encourage the re-appropriation of our work and methodologies by groups or individuals with similar interests to ours.
adopt an attitude of "mobility" in the choice of methodologies, a variety of criteria that allows us to move and re-locate to overcome the absorption and disruption it imposes any dominant power.
Usually our actions do not fall within a legal framework, but this will not prevent us from aspiring to acquire legitimacy in the field of artistic and political, that is extending the boundaries of what is allowed in this area. That's why we also choose to work with other groups, both human rights organizations, such as artists' collectives or individuals, creating a dynamic production that is in constant change due to exchange with others.
reading every action falls in the action itself. It is not the logic of the system where you can read the impact and is within the emerging context from which must be interpreted and generated, because if not deeply understand the context from which emerges a work, we can not read her whether or not to go beyond the current logic of globalization system. "

Link to PDF of the book " GAC Shares Thoughts Practices "

Voyager Pontoon Wiring Diagram 2009.

Knitter

Knitter is a group of weavers who leave their works on monuments, street furniture and other elements of public space. Innovative materials used in urban areas, which do not damage the media, such as wool and textiles. The group's mission is to make street art "a little more warm and woolly" in accordance with AKrylik member.

Knitter

members and AKrylik PolyCotN (two women Houston, Texas, USA) founded the group in 2005 as a way to channel their frustration with unfinished projects, such as medium-knit sweaters.

name and nicknames of the members of the group were inspired by the desire "to resemble graffiti, but tissue elements." The group mixes traditional terminology tissue with hip-hop, so they changed the name to Knitter Knitting to "represent the traditional nickname of street art." names Inluye PolyCotN members, AKrylik (founders) Nekklas Purl, P-Knitty, The Knotorious NIT, MascuKnitity, and Granny SQ.

usually leave their work on Friday night and Sunday morning, members of Knitter leave a paper label each time that says' knitt please "or" knitt whaddup? '. Use as support trees, lampposts, fences, fire hydrants, monuments and other urban elements.

In December 2007 the group had 5 females and one male member to keep anonymous. A dozen groups have followed suit in other parts of the world. The group has been invited to exhibit his art in several cities, have left their mark monuments like the Great Wall of China and the cathedral of Notre Dame in Paris.

Cleaning Jarra Furniture

"JAR WHITE" Coldstream


Another of the residents of Las Tablas, the "Pot Black", another of the many species of birds waterbirds that nest there.

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"Mallard" Coldstream. GOBI


recovery Tables of Coldstream is great news, especially for its sympathetic occupants, ducks, to which we look forward to seeing nesting among ponds.