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The working class family, Oscar Bony, 1968

"Experience '68" at the Instituto Di Tella, Oscar Bony screened live on the family of a worker Die (with his wife and son) hired at double his usual salary to do their daily life during the visiting hours of the sample. The family was shown live on the stage of an exhibition hall.

The controversy started soon given the political connotations, economic and social thought to find in the work.
So right-wing groups considered that the display offended religious feelings by representing a parody of the Holy Family. But it was also offensive to leftist groups or labor unions did not accept live show is a family of workers, as a curiosity.

Without ruling out the ideological baggage that accompanied the presentation of this work should not be ignored that the decade of the "60 was testing for the arts in our country, while there were signs of political repression.

The only apparent interest Bony was to demonstrate that the family could hire a salary equal to that perceived by the householder at the factory. But between one and another contract was an economic difference behind because, if the employer would seize the "goodwill", which in theory Marxist economic understood that part of the unpaid worker's wage.
All these speculations were the source of controversy that were outrageous for the time.

(texo extracted from here, see full story x Juio Portela)

Family Intervention Workers Today urban

Anonymous

Anonymous - Buenos Aires, 2000.
formulation from the work of Bony

more about Oscar Bony
NOT THE TYRANNY OF THE IMAGE, by Rodrigo Alonso